Showing posts with label The Brothers Bloom. Show all posts
Showing posts with label The Brothers Bloom. Show all posts

Saturday, February 6, 2010

A Case of Wanderlust.

Today Chris and I were watching The Brothers Bloom again. During the scene where Bloom steals an apple, Chris said, "That park is awesome."

"You've been there?" I asked.

"Yea, I've been there."

"Where is it?" I asked.

"It's in Prague." Which would make sense, as that's where this particular section of the movie is set.

I paused. Repeated in my head: Prague. "I want to go to Prague."


Image courtesy of here.

To be honest, I didn't even know what country the city is in. Google has since informed me that Prague is the capital city of the Czech Republic. But my initial ignorance of Prague's location has only reaffirmed this fact to me: I need to see the world.

The onset of my wanderlust has been a recent thing. In my younger years, I wasn't that interested in the world. And in many ways, I think I was afraid of what I would see.

When I was fourteen, my family flew out to Chicago. I remember visiting the Art Institute of Chicago, posing next one of the towering lion statues out front, majestic even though they were crusted green with oxidization. We visited Buckingham Memorial Fountain at night, watched it light up spectacularly with different colors.

I don't remember being that impressed. I liked it OK, but growing up in Vegas, you get used to spectacles. Vegas has an Eiffel Tower, a Statue of Liberty, a volcano, a bi-hourly pirate attack; and artificial as all these things may be, they still manage to cheapen the overall effect of the originals.

I was impressed, however, by the bums.

Maybe it was because I didn't spend much time in downtown Las Vegas, but it seemed that the Windy City had more than its fair share of the homeless.

Homeless people in Vegas are often charming, will chat you up. They look tan and leathered. They say, "God bless you. Now you have a good day, now," when you give them some money. They might thank you by doing a dance. They hold signs that say things like: "Father killed by ninjas. Need $$$ for karate lessons." Maybe most of the time they are just too blitzed out of their minds to appear that sad.

But in Chicago, not only were the homeless more numerous, they were more pitiable as well.

Bums there sat in wheelchairs, one leg or even both clearly missing. Some leaned against walls, or huddled over, knees to chest, one hand holding a cup that they slowly clinked from side to side. They were everywhere, and they looked so openly dejected, and it frightened me. I wanted to give money to enough of the homeless people we passed on the street that my dad finally told me to cut it out, that at this rate we would never get anywhere.

But the whole thing was uncomfortable to me. I remember that whole trip as being overshadowed by a greater realization that the world was a bit uglier than I had previously thought.

Then, the summer after I graduated from high school, I made a trip to Boston and New York with my brother Brandon, his wife, and my younger sister. Before going, I was apprehensive of visiting another big city.

To my surprise, however, I loved the city. I loved its life, its ceaseless pace.

I loved when it surprised me, with its sheer size, the endless number of people packed onto each street, the delicious food. One night we headed back to our hotel after midnight, after going to the jazz club, Birdland. I don't know why, but I was surprised to find the subway car empty but for us; tired and slaphappy, I did a Russian-style jig around the car.

I think I was afraid, at one time, of seeing the world, of facing the reality of it.

But now, I see: the world guarantees I will be surprised, but I am the one who decides if it's good, or if it is bad; if it is beautiful, or if it is ugly.

I want to see the world.
I want to be surprised.

Now, around people like Chris who have been all over Europe or spent months at a time living outside the United States, I am envious. But I am hopeful. I'll get my turn.

Sunday, January 31, 2010

Telling my own story.

I saw The Brothers Bloom this past summer, and I absolutely loved it. It's a clever, funny tale about two brothers, Stephen (Mark Ruffalo) and Bloom (Adrien Brody), who are con artists. But they take conning to a level of art; they endeavor to create a con that is an adventure, a beautiful story in which every person involved gets what they want. They end up conning Penelope (Rachel Weisz), a rich heiress who is eccentric and naive. Directed by Rian Johnson, it's really a moving film.

What's more, is it has an absolutely brilliant soundtrack, this wonderful and dynamic mix of clarinets and electric guitars, electric organ, jazzy saxes and yearning cello solos. It's the kind of thing I can listen to over and over again (which I have been doing, almost obsessively), and almost every time I listen, I notice something different. It amazes me in some new way. I can only hope to one day create something that inspiring, delightful, and whimsical.

I loved the theme of the movie, as well: telling your own story.



Penelope, explains it well. She tells Bloom about her childhood, how her parents mistakenly thought she was allergic to everything and kept her inside their huge, sealed-off mansion. When she's around 19, they finally discover that she's not allergic, but then her mother gets sick and Penelope has to stay home to take care of her for a very long time. Bloom asks her if she feels cheated, and Penelope replies:

"The trick to not feeling cheated is learning to cheat. So, I decided this wasn't a story about a miserable girl trapped in a house that smelled like medical supplies, wasting her life on a dying person she sometimes hated. No. This was a story about a girl who could find infinite beauty in anything, any little thing. And even love the person she was trapped with. And I told myself this story until it became true.

"Now, did doing this help me escape a wasted life, or did it blind me, so I wouldn't want to escape it? I don't know. But, either way, I was the one telling my own story, so, no. I don't feel cheated at all."

I love the idea, of telling our own stories. Of taking control. Of acting, rather than being acted upon--even if all that means is getting to decide who we are in less-than-desirable circumstances.

Things are so much what we make them; life, friends, enemies, good times, bad times. They are what they are, because that is what we believe them to be. That is what we make them.

Maybe that's what hope is: holding onto the belief that their is beauty in every person, situation, and thing, if we only look for it.